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Jakub Janšta: organ by Emanuel Štěpán Petr 1898 (restored by Kánský-Brachtl in 2018) Georg Friedrich Händel (1685–1759), arr. Sigfrid Karg-Elert Variationen in E-dur „Der harmonische Grobschmied” aus der Suite Nr. 5 für Klavier HWV 430 ?Johann Sebastian Bach (1685–1750), arr. Sigfrid Karg-Elert Capriccio aus der Toccata für Klavier G-dur BWV 916 Adagio (Air célèbre) aus der Orchester-Suite D-dur BWV 1068 Choral-Improvisation und Fuge aus der Motette „Singet dem Herrn ein neues Lied” BWV 225 Sigfrid Karg-Elert (1877–1933) O Gott, du frommer Gott, op. 65/50 Felix Mendelssohn-Bartholdy (1809–1847) Sonate B-Dur, op. 65/4 Oreste Ravanello (1871–1938) Preghiera, op. 50/2 Tema e variazioni si minore per Grand‘Organo
Jörg Ewald Dähler: fortepiano, Hansheinz Schneeberger: violin, Thomas Demenga: cello
Unusual interpretations of Schubert in which the "nebulous" sound of an historic fortepiano, imbuing the music with pensive melancholy, is heard in the bright company of modern instruments. The trio of musicians is challenging, too: Jörg Ewald Dähler is a renowned Schubert scholar and fortepiano specialist, New Series regular Thomas Demenga is famed for his centuries-spanning performances combining Bach cello suites with modern composition, and Hansheinz Schneeberger is a near-legendary figure in contemporary music, who first gained notice with the premiere performance of Bartók's Ist Violin Concerto.
Orchestre de chambre de Paris Thomas Zehetmair: violin, direction
Carolin Widmann: violin Chamber Orchestra of Europe
Carolin Widmann - violin, Dénes Várjon - piano
Anna Gourari - piano Sergey Prokofiev: Visions fugitives op. 22 Nikolai Medtner: Fairy Tale in f minor op. 26/3 Frédéric Chopin: Sonata No. 3 in b minor op. 58