Jakub Janšta: organ by Emanuel Štěpán Petr 1898 (restored by Kánský-Brachtl in 2018) 

Georg Friedrich Händel (1685–1759), arr. Sigfrid Karg-Elert
Variationen in E-dur „Der harmonische Grobschmied” aus der Suite Nr. 5 für Klavier HWV 430

?Johann Sebastian Bach (1685–1750), arr. Sigfrid Karg-Elert
Capriccio aus der Toccata für Klavier G-dur BWV 916 
Adagio (Air célèbre) aus der Orchester-Suite D-dur BWV 1068 
Choral-Improvisation und Fuge aus der Motette „Singet dem Herrn ein neues Lied” BWV 225

Sigfrid Karg-Elert (1877–1933)
O Gott, du frommer Gott, op. 65/50 

Felix Mendelssohn-Bartholdy (1809–1847)
Sonate B-Dur, op. 65/4 

Oreste Ravanello (1871–1938)
Preghiera, op. 50/2 
Tema e variazioni si minore per Grand‘Organo 

Jörg Ewald Dähler: fortepiano, Hansheinz Schneeberger: violin, Thomas Demenga: cello

Unusual interpretations of Schubert in which the "nebulous" sound of an historic fortepiano, imbuing the music with pensive melancholy, is heard in the bright company of modern instruments. The trio of musicians is challenging, too: Jörg Ewald Dähler is a renowned Schubert scholar and fortepiano specialist, New Series regular Thomas Demenga is famed for his centuries-spanning performances combining Bach cello suites with modern composition, and Hansheinz Schneeberger is a near-legendary figure in contemporary music, who first gained notice with the premiere performance of Bartók's Ist Violin Concerto.

Orchestre de chambre de Paris
Thomas Zehetmair: violin, direction

Carolin Widmann: violin
Chamber Orchestra of Europe   
 

Carolin Widmann - violin, Dénes Várjon - piano

Anna Gourari - piano

Sergey Prokofiev: Visions fugitives op. 22
Nikolai Medtner: Fairy Tale in f minor op. 26/3
Frédéric Chopin: Sonata No. 3 in b minor op. 58