Jakub Janšta: organ by Emanuel Štěpán Petr 1898 (restored by Kánský-Brachtl in 2018) 

Georg Friedrich Händel (1685–1759), arr. Sigfrid Karg-Elert
Variationen in E-dur „Der harmonische Grobschmied” aus der Suite Nr. 5 für Klavier HWV 430

?Johann Sebastian Bach (1685–1750), arr. Sigfrid Karg-Elert
Capriccio aus der Toccata für Klavier G-dur BWV 916 
Adagio (Air célèbre) aus der Orchester-Suite D-dur BWV 1068 
Choral-Improvisation und Fuge aus der Motette „Singet dem Herrn ein neues Lied” BWV 225

Sigfrid Karg-Elert (1877–1933)
O Gott, du frommer Gott, op. 65/50 

Felix Mendelssohn-Bartholdy (1809–1847)
Sonate B-Dur, op. 65/4 

Oreste Ravanello (1871–1938)
Preghiera, op. 50/2 
Tema e variazioni si minore per Grand‘Organo 

Jan Anselm Fridrich: Musica in luctu sive piae considerationes in amarissimam Christi passionem
František Ignác Antonín Tůma: Stabat Mater in g

Musica Florea, Collegium Floreum, Marek Štryncl

the church of St Peter and St Paul, Carlsbad

Michaela Káčerková - organ by Julius Jahn, 1894 (Dresden)

Josef Bardanashvili: Fantasia for piano solo
Paul Ben-Haim: Sonata for violin solo Op. 44
Gideon Klein: Lullaby for voice and piano; Sonata for piano; Three songs for higher voice and piano, Op. 1
Erwin Schulhoff: Duo for violin and violoncello

Aneta Majerová – piano, Bronislava Tomanová – soprano, Roman Patočka – violin, Petr Nouzovský – cello

Jaroslav Tůma, organ

Jan Novák: Sulpicia (Amores Sulpiciae) for four female voices based on texts of Albia Tibulla

Tereza Surovíková: Maturation of Love (Zrání lásky) set of three compositions for a five-part female choir a cappella on the biblical text of the same name - Song of Songs No. 2

Karel Bendl: In the Nature Realm (V přírodě) twelve duet songs on the words of Vítězslav Hálek

Graupner, Bach J.S., Bach C.P.E., Štěpán, Mozart, Howells

Jaroslav Tůma - clavichord, Johann Christoph Georg Schiedmayer, 1787

Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi

Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano
Hipocondria Ensemble directed by Jan Hádek

The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...