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Danish String Quartet Rune Tonsgaard Sørensen: violin Frederik Øland: violin Asbjørn Nørgaard: viola Fredrik Schøyen Sjölin: cello
Giedré Lukšaité-Mrázková - harpsichord Flemish double-manual harpsichord by František Vyhnálek, Hovor?ovice 1995 (after Andreas Ruckers, 1640)
Cappella Mariana - artistic leader Vojt?ch Semerád
Codex Speciálník, a manuscript containing polyphonic music which originated in Prague in the course of the last two decades of the 15th century, is considered one of the most important sources of music from Bohemia in the late Middle Ages. The original name of the collection signifies a “special” type of singing, characteristic of the Czech milieu and different from the common liturgical collections. The contents of the codex mostly relate to the mass liturgy of the Utraquist Church and comprise parts of the ordinary, motets, and religious songs, but also non-liturgical sacred music, as well as repertoire intended for instrumental interpretation. Containing some 200 polyphonic pieces, the collection contains music by important composers of the time which was known and performed in Latin Europe (e.g. Bedyngham, Frye, Weerbeke, Josquin, Isaac, and Obrecht), but also works by authors who were mostly active in Central Europe (e.g. Tourout, Flemmik, and Finck) as well as anonymous works (in some cases on Czech lyrics) among which we find some remarkable examples of the local reception of Franco-Flemish polyphony. A special category is formed by compositions from the late 14th century and the first half of the 15th century that were written in an older style but purposely performed in the Utraquist environment as part of a unique and quite independent tradition whose beginnings can be traced to the pre-Hussite period.
Czech Ensemble Baroque directed by Roman Válek
Pavel Svoboda on organ by Gottfried Silbermann, Rötha 1721 Prelude and Fugue in G major BWV 541 Schmücke dich, o liebe Seele BWV 654 Toccata and Fugue in d minor BWV 565 Ich ruf zu dir, Herr Jesu Christ BWV 639 Passacaglia in C minor BWV 582 O Mensch, bewein dein Sünde groß BWV 622 Toccata in C major BWV 566a Nun komm, der Heiden Heiland BWV 659 Fantasia and Fugue in G minor BWV 542
Duo Gazzana Natascia Gazzana: violin Raffaella Gazzana: piano
György Ligeti - Duo; César Franck - A major Sonata of 1886; Maurice Ravel - Sonate posthume (1897); Olivier Messiaen - Thème et variations of 1932
Oleg Malov: piano Tatiana Melentieva: soprano Piotr Migunov: bass Lege Artis Choir, Boris Abalian: conductor
