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The wunderkind, award-winning London based guitarist Rob Luft delivers one of the best debut records in many years.
Malija, the sophisticated genre-bending all-star trio that received phenomenal acclaim for their debut album The Day I Had Everything [2015], returns in September 2017 with Instinct, an album that showcases the sheer brilliance, interplay and depth of musicianship of three of the most celebrated and adhered Jazz musicians in Europe – Mark Lockheart, Jasper Høiby and Liam Noble.
A re-connection with a musical icon or tradition – it is often the way something new, maybe even game-changing emerges. That was the idea in curator/ producer’s Siggi Loch’s mind when he suggested to Magnus Lindgren that he might look at re-tracing the footsteps of Herbie Mann. “Stockholm Underground” is a homage to the one of the greats of the jazz flute, and to his legendary 1969 album “Memphis Underground”, listed by Rolling Stone in 2013 in the “100 Best Jazz Albums” of all time.
"Best of" compilation from 2004 - 2014 in Oslo, New York and Pernes-les Fontaines Jan Garbarek, Tomasz Stanko, Nils Petter Molvaer, Trygve Seim, Mathias Eick, Marcin Wasilewski, Tore Brunborg and Jacob Young
These Jubilee Concerts made it possible to experience at close quarters what ACT exists to achieve: it is a leading label where listeners can discover newly created music “in the Sprit of jazz.”. Mike Flynn, Editor of Jazzwise wrote in his review of the concert that the ACT label has “a smile on its face and a swagger in its step”. And where might the best evidence for that statement be found? It’s all there on this album.
The Late Trane is the powerful and commanding new album from British saxophonist Denys Baptiste, a giant of the UK jazz scene. Reimagining and reworking ten carefully chosen composition from John Coltrane’s late music (from 1963 – 1967) with a fresh and modern new interpretation, The Late Trane perfectly balances Denys Baptiste’s unique artistic vision with the visceral emotions and cosmic references that encompasses Coltrane’s late music.
‘He reminds me of the young Django Bates, and the impression Django made on me in the 1980s – great improv chops, strong character as a player and a composer, evident love of the jazz tradition without wanting to repeat the past, very English sense of humour. He’s the kind of artist you always want to stay tuned in to, because you know he’s going to keep on coming up with surprises.’ John Fordham