Until historians of music finally elevated him to the status of the Bach of Bohemia, Černohorský had long been widely considered a composer for the organ. Thanks only to painstaking detective work did it become possible in subsequent years to determine the key moments of his life and, at least in part, to answer a question that to this day remains just as intriguing – namely, who exactly was
Bohuslav Matěj Černohorský?
Complete works - World premiere recording on period instruments

Ritornello Fraucimor, directed by Michael Pospisil
Hana Blazikova - vocal, harp, drum, Katerina Dolezalova - vocal, harp, Hana Flekova - viola di gamba, Simona Holubcova - theorbo, Jana Lewitova - vocal, harp, viola, Lenka Mitasova - lutes, harp, Tereza Pavelkova - recorder, organ positive, vocal, Blazena Pechackova - vocal, violin, pochette, harp, Michael Pospisil - vocal, whistle-pipe, cornett, chalumeaux, organ positive

Roman Pokorny Trio (Blue Point), HotLine (Wild Roses), Frantisek Kop Quartet (Dewey), Laco Deczi & Cellule New York (Adamek), The Veleband Big Band (Caravan), Karel Ruzicka Trio (Bear's Trail), Zuzana Dumkova Group (Smile Of Amaranta), Vibe Fantasy (Devil's Stones), Mark Aanderud Trio (Sambamba), Saxtime (Call Me Again), Marcel Barta & Muff (Dream Place), Naima (Agharta '91)

Georg Mraz Trio (Beautiful Love), Vlasta Pruchova (The Man I Love), Rudy Linka & John Abercrombie (Sweet And Lovely), Emil Viklicky (Bradley's Blues), Jiri Stivin (Vyletel vtak), Karel Ruzicka (Happy People), Naima (Body & Soul), Gabriel Jonas (Little Song For My Mother), Lubos Andrst (La Bodiguita del Medio), The Fensters (The Optimist), Jazz Face (Rope), Tutu (All Or Nothing), Hot Line (Holidays), Rudy Linka (Bob's Tune), Veleband (Bye Bye Blackbird)