Dear customers, please note that shipments to the USA are still suspended until further notice.
Classify by: title | author | data_zahajeni_prodeje
Johann Sebastian Bach, Dietrich Buxtehude, Johann Caspar Ferdinand Fischer, Johann Erasmus Kindermann, Nicolas Lebègue, Johann Pachelbel, Hieronymus Praetorius, Heinrich Scheidemann, Samuel Scheidt, Jean Titelouze, Jaroslav Tůma Jaroslav Tůma plays organ from 1712 by Tobias Fleck, reconstructed by Vladimír Šlajch (2019) Pavel Šmolík and Schola Cantorum Pilsensis co-perform in the chants
Thomas Morley, John Dowland, Claudio Monteverdi, Vincenzo Calestani, Tarquinio Merula, Johann Sebastian Bach, Georg Friedrich Händel, Wolfgang Amadeus Mozart, Mauro Giuliani, Franz Schubert, Benjamin Britten, Leonard Cohen, Howard Blake
David Cizner: boy soprano period instruments enselble directed by Flores Cizner
Miroslav Nosek: guitars Jakub Dvořáček: piano, nord stage Štěpán Zbytovský: flutes, bass clarinet Jan Keller: cello, bassguitar Jan Dvořák: drums
Josef Bardanashvili: Fantasia for piano solo Paul Ben-Haim: Sonata for violin solo Op. 44 Gideon Klein: Lullaby for voice and piano; Sonata for piano; Three songs for higher voice and piano, Op. 1 Erwin Schulhoff: Duo for violin and violoncello
Aneta Majerová – piano, Bronislava Tomanová – soprano, Roman Patočka – violin, Petr Nouzovský – cello
Jaroslav Tůma, organ
Hasse, Leo, Lotti, Pergolesi, Vinci, Vivaldi Ivana Bilej Brouková: soprano, Markéta Cukrová: mezzo-soprano Hipocondria Ensemble directed by Jan Hádek The choir of St Vitus’s Cathedral was also regularly performed Italian music. That was not unusual, after all, since Italy set the tone practically throughout the eighteenth century. Italian music, or at least compositions in the Italian style, form part of almost all the Bohemian music archives of this period. What is remarkable, however, is the great number and particularly selection of compositions that have been preserved at St Vitus’s...
Until historians of music finally elevated him to the status of the Bach of Bohemia, Černohorský had long been widely considered a composer for the organ. Thanks only to painstaking detective work did it become possible in subsequent years to determine the key moments of his life and, at least in part, to answer a question that to this day remains just as intriguing – namely, who exactly was Bohuslav Matěj Černohorský? Complete works - World premiere recording on period instruments