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Missa omnium sanctorum
299 czk  CD
In stock
8595056601544
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Jan Dismas Zelenka
Missa omnium sanctorum

Missa Omnium Sanctorum ZWV 21
Christe eleison ZWV 29
Barbara dira effera ZWV 164

Kai Wessel - alto, Gabriela Eibenová - soprano, Jan Kobow - tenor, Tomáš Král - bass, Marián Krejčík - bass

Ensemble Inégal, Prague Baroque Soloists - Adam Viktora, conductor

Garden of Heart
299 czk  CD
In stock
8595056601568
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Ema Destinnová
Garden of Heart

Eve Děpoltová – soprano
Radoslav Kvapil – piano

Twelve songs on poetry and translations of Adolf Wenig composed by the greatest Czech sopranist of the begining of 20 century.

Missa Sanctissimae Trinitatis
299 czk  CD
In stock
8595056601575
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Jan Dismas Zelenka
Missa Sanctissimae Trinitatis

Gabriela Eibenová – soprano
Carlos Mena – alto
Makoto Sakurada, Václav Čížek – tenor
Lisandro Abadie, Marián Krejčík – bass

Ensemble Inégal & Prague Baroque Soloists
conducted by Adam Viktora

Missa Sancti Josephi, ZWV 14
299 czk  CD
In stock
8595056601537
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14

+ Litaniae Xaverianae, ZWV 15

Gabriela Eibenová, Hana Blažíková – sopran, Jacob Huppmann – alto, Jaroslav Březina – tenor, Tomáš Král, Marian Krejčík – bass

Ensemble Inégal, Prague Baroque Soloists, conducted by Adam Viktora

Requiem
299 czk  CD
In stock
8595056601667
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Antonín Rejcha
Requiem

Emöke Baráth - soprano; Markéta Cukrová - alt; Krystian Adam - tenor; Tomáš Šelc - bass L'Armonia Terrena Vocale, František Macek - chorus master 
L'Armonia Terrena, Zdeněk Klauda - conductor 

Recorded in June 2018 at St. Salvator church in Prague

Sacred Music
299 czk  CD
In stock
8595056601445
Jan Josef Ignác Brentner
Sacred Music
Rediscovering unjustly forgotten composers and their music is a fine experience and adventure at the same time, and this CD offers music-lovers both. J. J. I. Brentner (1689 - 1742) was one of the most successful Czech composers of his time (measured by the number of compositions published in print). Thanks to missionaries, his music got as far as South America only to lapse into total oblivion after his death for more than a quarter of a millennium. The demands that his beautiful melodies place on performers gives one an idea of how accomplished the instrumentalists and singers of his time must have been. Our CD (world recording premiere) was made using period musical instruments in Baroque surroundings by the group Ensemble Inégal specializing, in particular, in historically enlightened interpretation of 17th- and 18-th century music. Please, accept our invitation to the realm of lovely sounds and joy of discovering the as yet unknown.
Mass in D major, Op.86
299 czk  CD
In stock
8595056601421
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Antonín Dvořák
Mass in D major, Op.86
Gabriela Viktorová (Eibenová) – soprano, Markéta Cukrová – alto, Jaroslav Březina – tenor, Mathias Gerchen – bass
Ensemble Inégal conducted by organist Adam Viktora

Dvorák´s Mass in D-major, better known in its instrumentation for orchestra, is presented in this recording in its original version featuring a small mixed choir and romantic organ and, what is more, played in the Lužany chateaux chapel, for which it was composed and where it was also performed for the first time. The listener´s experience is enhanced by the period-inspired presentation as developed by conductor and organist Adam Viktora, as well as by the natural vocal performance of all members of the Ensemble Inégal. In addition, the CD carries spiritual songs and organ compositions.
Flute Sonatas
299 czk  CD
In stock
8595056601452
Jiří Čart
Flute Sonatas
Václav Kunt – flute, Monika Knoblochová – harpsichord, Petr Hejný - cello

The composer is another member of the group of oustanding Czech musicians who were active all over 18th century Europe, who helped to develop a new style of music - classicism - and who later fell into oblivion. A contemporary of J.V.Stamic and F.Benda, Jiří Čart served at the court of Berlin together with F.E.Bach, then as a violinist of the Mannheim orchestra and finally, after Stamic´s death, as its conductor. In his Sonatas for Flute, Čart remains half way between the style of Baroque and coming classicism. This is the first ever recording of the work.
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