Welcome to the on-line-store ARTA Music cz en

SETRIDIT_PODLE: NAZEV_TITULU | JMENO_AUTORA | DATA_ZAHAJENI_PRODEJE

Brevnov Abbey Organ (The)

Czech late Baroque figural music by Benedictines of the Břevnov-Broumov Archabbey / Johann Valentin Rathgeber, Georg Christoph Wagenseil, Wenzel Gunter Jacob, Josef Mentzel, Erasmus Mentschel, Anonymous

Robert Hugo - organ, Hana Blažíková - soprano, Markéta Cukrová - alto, Jaromír Nosek - bass
Capella Regia Praha, directed by Robert Hugo

Bridge Of Light
399 CZK  CD
0028944535020
Bridge Of Light
Keith Jarrett

Elegy for Violin and String Orchestra
Adagio for Oboe and String Orchestra
Sonata for Violin and Piano
Bridge of Light for Viola and Orchestra
(All compositions by Keith Jarrett)

Keith Jarrett – piano
Marcia Butler – oboe
Michelle Makarski – violin
Patricia McCarty – viola
The Fairfield Orchestra conducted by Thomas Crawford

Recorded at the State University of New York in Purchase, New York in March, 1993

Cantante e tranquillo
399 CZK  CD
028948110520
VICE_INFO
Cantante e tranquillo
Keller Quartette

Recordings 1997-2012

András Keller, Janos Pilz: violins; Zoltán Gál: viola; Ottó Kertész; violoncello
András Keller, Zsófia Köryei: violins; Zoltan Gál: viola; Judi Szabó: violoncello
Alexi Lubimov: piano

Canticle of the Sun
399 CZK  CD
028947646624
VICE_INFO
Canticle of the Sun
Sofia Gubaidulina

The Lyre of Orpheus
Gidon Kremer: violin, Marta Sudraba: violoncello, Kremerata Baltica

The Canticle of the Sun
Nicolas Altstaedt: violoncello, Andrei Pushkarev: percussion, Rihards Zaļupe: percussion, Rostislav Krimer: celesta, Riga Chamber Choir Kamēr - conducted by Māris Sirmais

Canto di speranza
399 CZK  CD
028947668855
Canto di speranza
Bern Alois Zimmermann

Thomas Zehetmair: violin, Thomas Demenga: cello, Gerd Böckmann: voice, Robert Hunger-Bühler: voice, Andreas Schmidt: bass, WDR Sinfonieorchester Köln, Heinz Holliger: conductor

• Konzert (1950), für Violine und großes Orchester
• Canto di speranza (1952/57), Kantate für Violoncello und kleines Orchester
• Ich wandte mich und sah an alles Unrecht, das geschah unter der Sonne (1970), Ekklesiastische Aktion für zwei Sprecher, Bass-Solo und Orchester

Three keyfigures from ECM’s contemporary music roster – Heinz Holliger, Thomas Zehetmair, and Thomas Demenga – team up for an exceptional recording of three works by German post-war composer Bernd Alois Zimmermann. Zimmermann, almost half a generation older than the serialists such as Boulez and Stockhausen, integrated state-of-the-art compositional methods in his writing while constantly following his own independent, highly expressive musical language. The rhythmically energetic violin concerto (1950) which is partially based on twelve-tone models and cast in three movements, was soon hailed as a model for a post-war solo concerto, while “Canto di Speranza” (1953/57), a one-movement cello concerto, acccording to Zimmermann, emphasizes monologue and introvert meditation. “Ich wandte mich…” on the other hand is Zimmermann’s last work, finished only a few days before his suicide in 1970. Labelled by the composer as an “ecclesiastical action”, the 35-minute oratorio on biblical verse and the famous parable "The Grand Inquisitor" from Dostoevsky’s “Brothers Karamazov” is a deeply pessimistic “performance art” work - of the kind that flourished in Germany’s ‘Fluxus’ scene around 1970 - involving recitation, singing, and both gestural and acrobatic action.

Canto oscuro
399 CZK  CD
028947646617
VICE_INFO
Canto oscuro
Anna Gourari

Anna Gourari: piano

Bach/Busoni: Ich ruf’ zu Dir, Herr Jesu Christ
Gubaidulina: Chaconne
Hindemith: »1922« — Suite für Klavier
Bach/Busoni: Nun komm’ der Heiden Heiland
Bach/Busoni: Chaconne
Bach/Siloti: Prelude in b minor

Capella regia musicalis - Ritornello
Václav Karel Holan Rovenský
Hollan's hymnal CAPELLA REGIA MUSICALIS (1693/94) is unique in the world, for several important reasons. Its relatively large format (A4) was rarely used anywhere. It was so big that it required a music stand. It was not, however, meant only to remain standing in the church as a counterpart to the liturgical books on the altar; it was intended for use in processions, schools, at table in peoples' homes, and at the bedside (for morning, evening, and wedding songs). Some of the songs seem to have come running in from a small grove, park, garden, or field-path, or, conversely, running back to them. It contains songs for a small Bohemian Ordinary, next to evensongs, songs for the congregation, solo 'arias' for professionals - the acolytes. Some of the songs allow the accompanying organist to 'shine'; others have been furnished much less modestly with parts not just for the organ but for many other instruments as well. No other nation in the world can boast such an accomplishment.
Care-charming Sleep
399 CZK  CD
028947605225
Care-charming Sleep
Dowland Project (The)

John Potter: vocal, Stephen Stubbs: baroque guitar, John Surman: soprano sax, bass clarinet, Maya Homburger: baroque violin, Barry Guy: bass

< PREDCHOZI
1 2 3 4 5 6 7 8 910
11..86 NASLEDUJICI >

© Studio Svengali, March 2024
coded by rhaken.net