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Petr Kalfus: tenor saxophone Jan Andr: Hammond organ Tomáš Hobzek: drums
Pavel Hrubý: soprano sax, bass clarinet, Orff instruments Oskar Török: trumpet, Orff instruments Taras Voloshchuk: double bass Dušan Černák: drums, percussion
František Kop: saxophones, bass clarinet, flute, keyboards, percussion, vocal, composition featuring Jakub Šindler: drums & percussion, vocal ; Martin Lehký: bass guitar ; Dan Bárta: vocal (A3) ; Miloslav Hloucal: trumpet (B1) & flugelhorn (B3) ; Miroslav Chyška: electric guitar (A1, B2) ; Maella: vocal (B2) ; Petr Malásek: piano (A3) ; Julie Kopová: rap & vocal (B4) ; Kateřina Štenclová: vocal (B4) ; Frank Zappa: rap (B2)
František Kop - saxes, flute, bass clarinet, keys & programming Jan Kořínek - double bass Pavel “Bady” Zbořil - drums
Klára Valenovičová: recorder L’Armonia Terrena, L’Armonia Vocale conducted by Zdeněk Klauda
Gabriela Eibenová: soprano; Lenka Cafourková: soprano; Jonathan Mayenschein: alto; Tobias Hunger: tenor; Tomáš Šelc: bass Ensemble Inégal conducted by Adam Viktora
Ensemble Inégal conducted by Adam Viktora With this recording of Missa Sanctae Caeciliae (ZWV 1) and the motet Currite ad Aras (ZWV 166) two ‘firsts’ of Zelenka are presented: Missa Sanctae Caeciliae is his earliest mass composition, and Currite ad Aras is the first-known work written after Zelenka was sent to Vienna in 1716.